Develop Reference

Calculate angle of reach for projectile given velocity and distance

I've been trying to implement projectile motion in Javascript and I'm stuck at figuring out the angle (from which to derive the x and y velocity)
var v = 1;
var d = 10;
var g = -1;
var angle = 0.5 * Math.asin((g*d)/(v*v));
I would've expected someting like this to work, since it's coming from here Here.
The values I seem to get are either NaN or a very small number.
To give a bit more context; The projectile has to go from point A to point B (the distance is d in my code) where A and B are at the same height. Later on I would like to randomize the distance and angle a bit, but I assume that's not going to be an issue once this angle problem is solved.
EDIT:
As for a better example:
var v = 100;
var d = 100;
var g = 1; // I've made this positive now
var angle = 0.5 * Math.asin((g*d)/(v*v));
This says that angle is now 0.005

Im not really good at this physics problrm but i'll try
https://developer.mozilla.org/en-US/docs/Web/JavaScript/Reference/Global_Objects/Math/asin
the arg for Math.asin() should be between -1 and 1. Otherwise it returns NaN
from your example you run Math.asin(-10/1) maybe the velocity has max distance that it could cover. No matter the angle, 1m/s wont reach 500m distance for example
in your link there is a formula to count the max distance from given velocity and angle. Use that to confirm your variables are relevant.
angles are represented in values between -1 to 1 in cos, sin, tan. It makes sense that NaN (or values outside the range) means no angle can cover the distance
Hope it helps a bit

Note from the same wikipedia page you linked d_max = v*v/g. Given your inputs this evaluates to 1. Therefore a distance of 10 is impossible.
Another way to notice this is the range of sin is (-1,1). Therefore asin of any number outside of this range is undefined. (g*d)/(v*v) is 10, so Math.asin returns NaN

formula for changing speed of object moving in circle

I am currently working moving different cars around a race track. I am using the formula listed in
Canvas move object in circle
arccos (1- ( d ⁄ r ) 2 ⁄ 2 )
to vary the speed of the cars around the ends of the track and it works very well. What I don't understand is how the formula is derived. I have been working on trying to derive it from the second derivative of the arcsin or arccos but I can't get out the formula (so am guessing I'm walking the wrong path). Anyways, I am never comfortable using code I don't understand, so I would appreciate it if someone could shed some light on it for me.

As detailed in the linked question, the movement of an object along a circle can be parametrized with a single angle theta which in loose terms describes how many "revolutions" the object has already made. Now, the question is for which angle theta the object is at Euclidean distance d from the initial (current) position A:
In other words, if you fix the time step delta of your simulation, the problem can be restated as to how one should adjust (increment) the angle so that the object displaces within the time interval delta to distance d.
From the law of cosines, one gets:
d^2 = r^2 + r^2 - 2*r*r*cos(theta) = 2*r^2*(1 - cos(theta))
Thus:
cos(theta) = 1 - 1/2*(d/r)^2
theta = arccos(1 - 1/2*(d/r)^2)

How to calculate bezier curve control points that avoid objects?

Specifically, I'm working in canvas with javascript.
Basically, I have objects which have boundaries that I want to avoid, but still surround with a bezier curve. However, I'm not even sure where to begin to write an algorithm that would move control points to avoid colliding.
The problem is in the image below, even if you're not familiar with music notation, the problem should still be fairly clear. The points of the curve are the red dots
Also, I have access to the bounding boxes of each note, which includes the stem.
So naturally, collisions must be detected between the bounding boxes and the curves (some direction here would be good, but I've been browsing and see that there's a decent amount of info on this). But what happens after collisions have been detected? What would have to happen to calculate control points locations to make something that looked more like:

Bezier approach
Initially the question is a broad one - perhaps even to broad for SO as there are many different scenarios that needs to be taken into consideration to make a "one solution that fits them all". It's a whole project in its self. Therefor I will present a basis for a solution which you can build upon - it's not a complete solution (but close to one..). I added some suggestions for additions at the end.
The basic steps for this solutions are:
Group the notes into two groups, a left and a right part.
The control points are then based on the largest angle from the first (end) point and distance to any of the other notes in that group, and the last end point to any point in the second group.
The resulting angles from the two groups are then doubled (max 90°) and used as basis to calculate the control points (basically a point rotation). The distance can be further trimmed using a tension value.
The angle, doubling, distance, tension and padding offset will allow for fine-tuning to get the best over-all result. There might be special cases which need additional conditional checks but that is out of scope here to cover (it won't be a full key-ready solution but provide a good basis to work further upon).
A couple of snapshots from the process:
The main code in the example is split into two section, two loops that parses each half to find the maximum angle as well as the distance. This could be combined into a single loop and have a second iterator to go from right to middle in addition to the one going from left to middle, but for simplicity and better understand what goes on I split them into two loops (and introduced a bug in the second half - just be aware. I'll leave it as an exercise):
var dist1 = 0, // final distance and angles for the control points
dist2 = 0,
a1 = 0,
a2 = 0;
// get min angle from the half first points
for(i = 2; i < len * 0.5 - 2; i += 2) {
var dx = notes[i ] - notes[0], // diff between end point and
dy = notes[i+1] - notes[1], // current point.
dist = Math.sqrt(dx*dx + dy*dy), // get distance
a = Math.atan2(dy, dx); // get angle
if (a < a1) { // if less (neg) then update finals
a1 = a;
dist1 = dist;
}
}
if (a1 < -0.5 * Math.PI) a1 = -0.5 * Math.PI; // limit to 90 deg.
And the same with the second half but here we flip around the angles so they are easier to handle by comparing current point with end point instead of end point compared with current point. After the loop is done we flip it 180°:
// get min angle from the half last points
for(i = len * 0.5; i < len - 2; i += 2) {
var dx = notes[len-2] - notes[i],
dy = notes[len-1] - notes[i+1],
dist = Math.sqrt(dx*dx + dy*dy),
a = Math.atan2(dy, dx);
if (a > a2) {
a2 = a;
if (dist2 < dist) dist2 = dist; //bug here*
}
}
a2 -= Math.PI; // flip 180 deg.
if (a2 > -0.5 * Math.PI) a2 = -0.5 * Math.PI; // limit to 90 deg.
(the bug is that longest distance is used even if a shorter distance point has greater angle - I'll let it be for now as this is meant as an example. It can be fixed by reversing the iteration.).
The relationship I found works good is the angle difference between the floor and the point times two:
var da1 = Math.abs(a1); // get angle diff
var da2 = a2 < 0 ? Math.PI + a2 : Math.abs(a2);
a1 -= da1*2; // double the diff
a2 += da2*2;
Now we can simply calculate the control points and use a tension value to fine tune the result:
var t = 0.8, // tension
cp1x = notes[0] + dist1 * t * Math.cos(a1),
cp1y = notes[1] + dist1 * t * Math.sin(a1),
cp2x = notes[len-2] + dist2 * t * Math.cos(a2),
cp2y = notes[len-1] + dist2 * t * Math.sin(a2);
And voila:
ctx.moveTo(notes[0], notes[1]);
ctx.bezierCurveTo(cp1x, cp1y, cp2x, cp2y, notes[len-2], notes[len-1]);
ctx.stroke();
Adding tapering effect
To create the curve more visually pleasing a tapering can be added simply by doing the following instead:
Instead of stroking the path after the first Bezier curve has been added adjust the control points with a slight angle offset. Then continue the path by adding another Bezier curve going from right to left, and finally fill it (fill() will close the path implicit):
// first path from left to right
ctx.beginPath();
ctx.moveTo(notes[0], notes[1]); // start point
ctx.bezierCurveTo(cp1x, cp1y, cp2x, cp2y, notes[len-2], notes[len-1]);
// taper going from right to left
var taper = 0.15; // angle offset
cp1x = notes[0] + dist1*t*Math.cos(a1-taper);
cp1y = notes[1] + dist1*t*Math.sin(a1-taper);
cp2x = notes[len-2] + dist2*t*Math.cos(a2+taper);
cp2y = notes[len-1] + dist2*t*Math.sin(a2+taper);
// note the order of the control points
ctx.bezierCurveTo(cp2x, cp2y, cp1x, cp1y, notes[0], notes[1]);
ctx.fill(); // close and fill
Final result (with pseudo notes - tension = 0.7, padding = 10)
FIDDLE
Suggested improvements:
If both groups' distances are large, or angles are steep, they could probably be used as a sum to reduce tension (distance) or increase it (angle).
A dominance/area factor could affect the distances. Dominance indicating where the most tallest parts are shifted at (does it lay more in the left or right side, and affects tension for each side accordingly). This could possibly/potentially be enough on its own but needs to be tested.
Taper angle offset should also have a relationship with the sum of distance. In some cases the lines crosses and does not look so good. Tapering could be replaced with a manual approach parsing Bezier points (manual implementation) and add a distance between the original points and the points for the returning path depending on array position.
Hope this helps!

Cardinal spline and filtering approach
If you're open to use a non-Bezier approach then the following can give an approximate curve above the note stems.
This solutions consists of 4 steps:
Collect top of notes/stems
Filter away "dips" in the path
Filter away points on same slope
Generate a cardinal spline curve
This is a prototype solution so I have not tested it against every possible combination there is. But it should give you a good starting point and basis to continue on.
The first step is easy, collect points representing the top of the note stem - for the demo I use the following point collection which slightly represents the image you have in the post. They are arranged in x, y order:
var notes = [60,40, 100,35, 140,30, 180,25, 220,45, 260,25, 300,25, 340,45];
which would be represented like this:
Then I created a simple multi-pass algorithm that filters away dips and points on the same slope. The steps in the algorithm are as follows:
While there is a anotherPass (true) it will continue, or until max number of passes set initially
The point is copied to another array as long as the skip flag isn't set
Then it will compare current point with next to see if it has a down-slope
If it does, it will compare the next point with the following and see if it has an up-slope
If it does it is considered a dip and the skip flag is set so next point (the current middle point) won't be copied
The next filter will compare slope between current and next point, and next point and the following.
If they are the same skip flag is set.
If it had to set a skip flag it will also set anotherPass flag.
If no points where filtered (or max passes is reached) the loop will end
The core function is as follows:
while(anotherPass && max) {
skip = anotherPass = false;
for(i = 0; i < notes.length - 2; i += 2) {
if (!skip) curve.push(notes[i], notes[i+1]);
skip = false;
// if this to next points goes downward
// AND the next and the following up we have a dip
if (notes[i+3] >= notes[i+1] && notes[i+5] <= notes[i+3]) {
skip = anotherPass = true;
}
// if slope from this to next point =
// slope from next and following skip
else if (notes[i+2] - notes[i] === notes[i+4] - notes[i+2] &&
notes[i+3] - notes[i+1] === notes[i+5] - notes[i+3]) {
skip = anotherPass = true;
}
}
curve.push(notes[notes.length-2], notes[notes.length-1]);
max--;
if (anotherPass && max) {
notes = curve;
curve = [];
}
}
The result of the first pass would be after offsetting all the points on the y-axis - notice that the dipping note is ignored:
After running through all necessary passes the final point array would be represented as this:
The only step left is to smoothen the curve. For this I have used my own implementation of a cardinal spline (licensed under MIT and can be found here) which takes an array with x,y points and smooths it adding interpolated points based on a tension value.
It won't generate a perfect curve but the result from this would be:
FIDDLE
There are ways to improve the visual result which I haven't addressed, but I will leave it to you to do that if you feel it's needed. Among those could be:
Find center of points and increase the offset depending on angle so it arcs more at top
The end points of the smoothed curve sometimes curls slightly - this can be fixed by adding an initial point right below the first point as well at the end. This will force the curve to have better looking start/end.
You could draw double curve to make a taper effect (thin beginning/end, thicker in the middle) by using the first point in this list on another array but with a very small offset at top of the arc, and then render it on top.
The algorithm was created ad-hook for this answer so it's obviously not properly tested. There could be special cases and combination throwing it off but I think it's a good start.
Known weaknesses:
It assumes the distance between each stem is the same for the slope detection. This needs to be replaced with a factor based comparison in case the distance varies within a group.
It compares the slope with exact values which may fail if floating point values are used. Compare with an epsilon/tolerance

Coordinate trigonometry - calculate midpoint in arc for flightpath

I am trying to draw flightpaths on a map using SVGs. I'm using d3 on top of Leaflet, but the frameworks used shouldn't make a difference to my problem - it's trig.
http://fiddle.jshell.net/zw8TR/26
The way I'm trying to do this is by creating a quadratic bezier curve (I'm open to other/easier ways if you know of any). What I need to calculate is 1 control point, perpendicular to the midpoint of each line. This point should always bias to a higher y value / latitude than the midpoint, to create an arc which looks like a flightpath.
In my demo above, I found it's easier to debug exactly where the control point is by adding some extra temporary points. As you can see, some of my control points are facing downwards, and none look to be properly perpendicular.
Check out my previous question on this - with diagrams!
I have a feeling the problem boils down to this line:
var theta = Math.atan2(t_area_y, t_area_x) * 180 / Math.PI;
I'm not handling negative coordinates properly. I have tried to hack in a nasty set of if gates to handle this.
I have tried to comment the fiddle nicely to explain what's going on. Once I know the point, it should be a simple case of creating a custom interpolation in d3.

This is actually easier than you think if you use a custom line generator. Instead of adding the control points to the feature, you just add them during the computation of the path. The code looks like this:
feature.attr("d", function(d) {
var s, prev;
d.geometry.coordinates.forEach(function(c) {
var proj = map.latLngToLayerPoint(new L.LatLng(c[1], c[0]));
if(s) {
var length = Math.sqrt(Math.pow(proj.x - prev.x, 2), Math.pow(proj.y - prev.y, 2)),
midx = prev.x + (proj.x - prev.x) / 2,
midy = prev.y + (proj.y - prev.y) / 2 - length * 0.2 * (Math.abs(proj.x - prev.x) / length);
s += "Q" + midx + "," + midy + " " + proj.x + "," + proj.y;
} else {
s = "M" + proj.x + "," + proj.y;
}
prev = proj;
});
return s;
});
Let's go through it step by step. The main thing is that I'm keeping track of the coordinates of the previous point to be able to compute the control point. First, s will be null and the else branch is taken -- simply move to that point (the start point) without drawing a line. For all subsequent points, the actual computation takes place.
First, we compute the distance between the two points (previous and current), length. Computing the x coordinate of the control point is straightforward, as no offset is required. The y coordinate is a bit trickier -- the first part is the same, then the offset is added. The size of the offset is 20% of the length of the path here (to make wider arcs for longer paths), adjust as necessary. This needs to be multiplied by the cosine of the angle to the x axis, but fortunately we don't need to compute the angle explicitly -- it is defined by the relation between the distance between the points and the difference in x coordinates (the arc cosine of that angle). So we can just take that relation directly and multiply by it. As you want arcs to point up (i.e. negative y offset), we're taking the absolute value of the x coordinate differences. Without that, some of the control points would be pointing down.
Complete example here.

Algorithm for moving an object horizontally in javascript

I am currently working on a game using javascript and processing.js and I am having trouble trying to figure out how to move stuff diagonally. In this game, there is an object in the center that shoots other objects around it. Now I have no problem moving the bullet only vertically or only horizontally, however I am having difficulty implementing a diagonal motion for the bullet algorithm.
In terms of attempts, I tried putting on my math thinking cap and used the y=mx+b formula for motion along a straight line, but this is what my code ends up looking like:
ellipse(shuriken.xPos, shuriken.yPos, shuriken.width, shuriken.height); //this is what I want to move diagonally
if(abs(shuriken.slope) > 0.65) {
if(shuriken.targetY < shuriken.OrigYPos) {
shuriken.yPos -= 4;
} else {
shuriken.yPos += 4;
}
shuriken.xPos = (shuriken.yPos - shuriken.intercept)/shuriken.slope;
} else {
if(shuriken.targetX < shuriken.OrigXPos) {
shuriken.xPos -= 4;
} else {
shuriken.xPos += 4;
}
shuriken.yPos = shuriken.slope * shuriken.xPos + shuriken.intercept;
}
The above code is very bad and hacky as the speed varies with the slope of the line.
I tried implementing a trigonometry relationship but still in vain.
Any help/advice will be greatly appreciated!

Think of it this way: you want the shuriken to move s pixels. If the motion is horizontal, it should move s pixels horizontally; if vertical, s pixels vertically. However, if it's anything else, it will be a combination of pixels horizontally/vertically. What's the correct combination? Well, what shape do you get if you project s distance in any direction from a given point? That's right, a circle with radius s. Let's represent the direction in terms of an angle, a. So we have this picture:
How do we get the x and the y? If you notice, we have a triangle. If you recall your trigonometry, this is precisely what the sine, cosine, and tangent functions are for. I learned their definitions via the mnemonic SOHCAHTOA. That is: Sin (a) = Opposite/Hypotenuse, Cos(a) = Adjacent/Hypotenuse, Tan(a) = Opposite/Adjacent. In this case, opposite of angle a is y, and adjacent of angle a is x. Thus we have:
cos(a) = x / s
sin(a) = y / s
Solving for x and y:
x = s * cos(a)
y = s * sin(a)
So, given the angle a, and that you want to move your shuriken s pixels, you want to move it s * cos(a) horizontally and s * sin(a) vertically.
Just be sure you pass a in radians, not degrees, to javascript's Math.sin and Math.cos functions:
radians = degrees * pi / 180.0
This may be why your trigonometric solution didn't work as this has bitten me a bunch in the past.

If you know the angle and speed you are trying to move at, you can treat it as a polar coordinate, then convert to cartesian coordinates to get an x,y vector you would need to move the object by to go in that direction and speed.
If you don't know the angle, you could also come up with the vector by taking the difference in X and difference in Y (this I know you can do as you are able to calculate the slope between the 2 points). Then take the resulting vector and divide by the length of the vector to get a unit vector, which you can then scale to your speed to get a final vector in which you can move your object by.
(This is what probably what kennypu means by sticking with vectors?)